Taare Zameen Par Indeed!

So yesterday, after a mega long period of five months, I finally went to the cinemas to watch one and a half movies – A half of “Awake” which does not need to be spoken about and the full of the latest Aamir Khan production, “Taare Zameen Par.” Yes, I was friggin’ excited, both for the latest Aamir Khan experience and for the replenishment of my cinema needs.

I really wanted to enjoy “Taare Zameen Par” and I did. It was simple, direct and yet, brilliantly creative. The story is straight forward, but intriguing enough to keep you hooked. It is about this dyslexic kid whose parents are oblivious about his dyslexia until the great Mr Khan comes along and turns everything around. People say that it does become slightly draggy, but I hardly felt so. The kid, Darsheel Safary, is beyond brilliant. I really wonder how they pulled out such a convincing performance from this new-young-kid-on-the-block. His rabbit teeth and killer expressions are heart-warming and amusing. He is NOT the cliched kid that we see in almost all other Indian “blockbusters” and that says a whole lot. Aamir Khan is good as usual, but cries a little too much for my liking. I love the way he has this kick-ass Mohawk-of-an-hairstyle throughout the film, but that doesn’t rectify his pansy-ness. I guess the Mohawk is somewhat of a decent attempt of bringing out the youthful exuberance of Mr Khan, but I’m afraid the wrinkles get the better of him. On the otra lado, the kid’s mother, Tisca Chopra, plays her role so perfectly that no one else could play her role more perfectly that she has – props to her!

But then, to make sure that the “flim” has some Bollywoodness, some of its parts are pretty over done. For instance, Aamir Khan’s entry initially takes you by surprise and fills you with glee, but then the “Bum Bum Bole” gets to you. It’s almost as if they over-enjoyed shooting the song and thus made it super long. Also, there is a little melodrama here and there, but not enough to annoy, but just enough for it to be lost in the positives.

All in all, I laughed a lot in this film, and at the same time came very close to tearing up. It’s intentionally touchy and well sprinkled with outright funny jokes that will crack you up. Aamir Khan, as a director, has tried very hard to look out of the box for inspiration and has succeeded many more times than he has failed. The songs and it’s sequences are brilliantly animated and are far from a typical Bollywood film. The subtle use of animation and cartoons is laudatory. The soundtrack blends beautifully throughout the movie and hits the right spots when it comes to eliciting emotions – the song “Maa” is so very touching. I missed my mummy so very much during that song, and the homesickness did creep in…

Beyond the technical aspects, the message that this movie screams out is strong. It preaches equality of education for all children, whether they are physically/mentally challenged or not. It almost ridicules the Indian system of its close-minded, theoretical approach and begs for the introduction of a more creative and practical system of study. It demands the Indian system to tell a child to dwell into his passion and lay more emphasis on it, rather than wasting time mugging extraneous information. The movie delivers this message beautifully and therefore, I think all teachers and all schools in India should deliberately be shown this movie so that it can help open their minds up. I strongly feel our Indian system of education needs to find a balance between rigorous theory and oblivious practical applications. What that basically means is that we need to find a midpoint between the crazy Indian System and the laid-back American/Western High School system, so, umm, shall we?

P.S. Dad, Mum, Gulshan Aunty – please make sure you watch this movie. Thanks.