The Tragedy That Is “New York”
I have never before seen a more mental massacre of a perfectly brilliant concept until I saw the new Bollywood film “New York”. The storyline, the message and concept was strong and arguably genius. Yes, Katrina Kaif is hot and that’s always a positive, but the script was super, super pathetic. The acting wasn’t any better – the best bit was played by the random-est of characters, whose name I have forgotten and which can surprisingly, not be found on the internet with ease. The “slow motion” technique was used way too often and slowed the movie down. Kaif’s Hindi was laughable and she smiled out of context way too much, but she sizzling-ly scwow, so she’s forgiven. That Nitin fellow, who played the lead role, is a really really lousy actor. I don’t know how he has made it big. John Abe showed glimpses of decency but was average overall.
The beauty of all this annoyance is that it’s friggin’ hilarious. Every time something dramatic happened, firstly the damn slow motion thing kicked in and secondly, the most dramatic music imaginable erupted. The expressions were hilarious and drama was often predictable. The script was “deep” at times, or tried to be deep, but most of the friggin’ actors couldn’t pull it off – Irfann was expectantly decent. There were no song/dance sequences in this film. Thankfully, right? Wrong. The film started creating excuses to play songs and the extremely “filmy” montages were way too long. And they kept bringing the same damn song back during moments of drama, much to yes, our annoyance. So anyway, I, along with my great sister, laughed a lot in this film, and admittedly, we were loud and obnoxious. But hey, we were looking of ways to derive pleasure from this movie, and there weren’t many options. My Dad, who is considerably easier to please when it comes to Bollywood, was getting annoyed by our obnoxiousness. He glared at me like he had never before, crunching his teeth until the grinding could be heard. How utterly shameless and childish behavior was this! But, we “grown ups” laughed even louder. It didn’t help our cause and thus began a weird fight – sis and I couldn’t stop laughing, and Mum and Dad couldn’t stop getting angrier. They told us that we should have walked out of the “damn theatre” if we hated it so much. But we were enjoying the annoyance way too much to leave. Parents, I tell you :).
Fine, I am not a Bollywood fan. If a Hindi movie is bad, I will kill it. But if it’s good, I will and have in the past, shown pride and honor. (Want proof? Here.) Most Bollywood-lovers enjoyed this movie, especially since it had almost been two months since the Indian Film Industry had come out with anything. It was better than the worst but lousy none the less. A waste of money? No not entirely – it was a weirdly memorable family day. Anyway here’s to more stories like this, but less scripts, acting and direction like this. Here’s to more Taare Zameen Pars and Dil Chahta Hais. Rock On – metaphorically, literally, and relational-ly.
P.S. Just for the record, I know this “review” is a couple of weeks too late. But opinion is opinion.
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I didn’t see this film. I usually try and catch it before the review comes and alas I was too late like last week-ish. Probably won’t see this film now but I wanted to say that taare zameen par though a well made film, was most bullshit in the way it presented its ideas, it came off as pretty manipulating and stuff…i dont know. I preferred rock on actually, where the acting is decent, story simple and the music kicked ass…when you come here we’ll watch it together.
Also opinion… but I loved the film… I went with my friend from the states vising india and she pretty much loved it too.
I thought it had as much or more of a message going on with it than taare zameen par at least realistically speaking… tzp may be a movie that brought out audience sympathy towards autistic children albeit at a not completely scientifically correct manner… but new york was able to provide more than one point of view on an issue that is too often regarded from one or the other side of the spectrum… that is us as the perpetuator of terrorism in its fight against it or immigrants (citizens yes but immigrants nonetheless) confusing their stands on the functioning of a society forgetting their need to assimilate into a society which they themselves have chosen to be a part of. (obviously this is a very simplistic categorization but i’m just trying to point out how wide the spectrum is or can be)
The fact is neither side is completely wrong or completely right… and I’m glad a bollywood film for all the nonsense the industry comes out with these days, at least attempted to formulate a script highlighting these issues. So what if katrina kaif’s hindi was not the best ever? The setting was new york right? She was representing someone brought up there right? Irrfan’s acting was very good. He played the anti-hero extremely well. John Abraham was surprisingly pretty decent too… Neil (nitin… ) didn’t really speak a lot and so as the brooding character he was meant to be… he was alright.
Would the movie have improved with a song and dance sequence? hardly? Is it wrong to use music in a montage that is mostly true if graphically unpleasant and exaggerated at times? But in that sense, when making a comparison, keep in mind taare zameen par also exaggerated in order to evoke an audience reaction.
Instead of arguing with you any further or pulling out anything more specific from your opinion…. i’d say for someone who has not seen the film yet and is not a typical bollywood target audience (hero heroine song dance wanting type)…. the positives at least to be considered in this movie are plenty… the acting is not bad, the story line and concept is really good, the script is not bad either, the scene shots can be dramatic but my reasoning for this is stated above… that us prisons are no field day for anyone is pretty well known by now… the ending is not an extremely happy one but there is a ray of hope for a future generation that is important to acknowledge; the message is very strong… the ending is not the happiest but for the story it represents, its not unrealistic…. i could keep going… but instead i’ll leave it at: Tejas, and whoever else hasn’t seen the film… go see it… form your own opinions.
Haven’t watched it and am not going to bother either.